Choreographed Peace Summit in Korea

The lines were clearly drawn between North and South Korea during our visit to the Korean Demilitarized
Zone (DMZ) earlier this year. Much has changed since then but much remains to be seen.

To be a journalist often is to be the skunk at a garden party.

And I certainly felt my skunk-like tendencies kick into gear as I watched the beautifully choreographed Inter-Korean Summit between North Korean leader Kim Jong-un and South Korean President Moon Jae-in on live TV.

The optics were no doubt powerful and emotional: on a sunny morning in late April, Kim Jong-un strolled up to the Military Demarcation Line that has divided the Korean peninsula for the last 65 years, reached across, and shook hands with President Moon. Then he stepped over the low curb that marks the border, shook hands again, and then took President Moon by the hand and stepped back over the border together onto North Korean soil.

It was undoubtedly a significant moment. The two heads of state later would emerge from their talks with plans to formally end the Korean War and work toward denuclearization. When I stood at roughly that same spot about 50 days earlier gazing into North Korea with other Knight-Wallace Fellows, the situation was much more tense. For months the world seemed on the brink of all-out war, with leaders on both sides making increasingly bellicose public statements.

So the sight of the two Korean leaders holding hands offered a much needed glimmer of hope in what had become a hopeless situation. For me as a Korean American, the idea of peace between the two Koreas is particularly powerful as every Korean family’s personal history is intertwined with painful reminders of those darkest days of the Korean War.

As I watched this historic event unfold on live TV, I knew this was a big deal. But the skunk in me couldn’t help but stink up the room.

What will denuclearization look like? What about the Kim regime’s blatant human rights abuses? What are Kim Jong-un’s true motives? This is, after all, the same man who reportedly had two of his senior officials executed in 2016 using an anti-aircraft gun, a weapon normally reserved, as the name suggests, for aircraft.

Yes, journalists can be party poopers. It’s why North Korea remains dead last on the annual World Press Freedom Index, which ranks nations according to the level of freedom available to journalists.

South Korea, on the other hand, has come a long way in promoting a free press. During our fellowship tour of the country, we had a private screening of the 2017 film “A Taxi Driver,” which depicted the 1980 Gwangju massacre, a horrific event in which South Korean soldiers and government-backed thugs murdered untold numbers of pro-Democracy demonstrators. The movie showed how news organizations were either silenced or complicit in spreading the government’s misinformation.

Fast forward 38 years and that same country has now surpassed the United States on the World Press Freedom Index.

While that’s a positive sign for South Koreans (and a really troubling one for Americans), it also goes to illustrate an important point: the distance between freedom and tyranny is often very short. It took Kim Jong-un only a few minutes to stroll forward into a world of press freedom that April morning; it took his limousine only a few seconds to ferry him back.

Throughout our tour, we learned that the South made great strides in building and strengthening democratic institutions since the ceasefire almost a lifetime ago. That’s good news. But the skunk in me thinks that the lesson for any democracy is that it’s always easier to tear down than to build.

Robert Yoon is a political journalist and the Howard R. Marsh Visiting Professor of Journalism at the University of Michigan.

Korea Without Frilly Clothes

A highlight of the trip: revisiting my grandparents’
place in Seoul and digging up old photos that I didn’t
find as interesting on previous trips.
Photo submitted by Candice Choi

Staring at video of the Samsung chairman allegedly with prostitutes, I knew this trip to Korea would differ from my past visits.

The hidden camera footage was published by Newstapa, an investigative group formed in 2012. The newsroom was one of the first stops for the Knight-Wallace Fellows and signaled I’d be seeing the country from new perspectives.

My last trip to Seoul was more than 20 years ago, when I was in high school. Upon arriving for childhood visits, my conservative grandparents would take my brother and me shopping for stuffy clothes and make us wear them to a formal restaurant. The ritual made me see new clothing and the entire country of Korea as suffocatingly superficial.

Yet after learning the Fellows were headed to Korea, I grew excited about returning with a reporter’s mindset. I read up on modern Korean history and politics and began to see the country’s vibrancy.

Among our stops were a museum of antique Korean furniture, the taping of a K-pop TV competition, and a U.S. military base. We also went to the Demilitarized Zone, which jarringly played to tourists with cardboard cutouts of soldiers for photo ops while also reminding us of the peninsula’s tragic past.

Our visit would take on added significance weeks later, when the leaders of North and South Korea would meet at the same site to discuss denuclearization and perhaps formally ending the Korean War.

Back at the Newstapa office, our host was a young woman who left her job with the police force to become a reporter, inspired in part by the movie “Spotlight.” She wore a modern black hanbok that gave her an authoritative presence as she explained libel laws that allow journalists to be criminally charged.

Newstapa nevertheless published video that appears to show the Samsung chairman with prostitutes. Adding to the intrigue, the tapes were apparently obtained for blackmailing purposes before ending up with Newstapa.

It was ethically messy, making the decision to publish all the more daring.

Newstapa’s model of relying on reader donations is also provocative. The idea is to gain public support as an independent news source in a society where conglomerates have huge power. The approach is a challenge to news outlets around the world.

Outside newsrooms, some of the best moments were unscheduled, such as people watching on the subway and wandering alone on the striking campus of Ewha University. Over a late night coffee, a friend who works as a TV sports analyst explained his quest to emulate the argumentative style of New York sports radio. I laughed imagining a Korean version of “Mike and the Mad Dog.”

The highlight of the trip, though, was returning to my grandparents’ apartment, which was largely unchanged from my childhood. My grandfather died of stomach cancer years ago and my grandmother has Alzheimer’s disease, making it too late to ask about their pasts. But I dug out stacks of old photo albums I had never bothered looking at before.

The black-and-white images showed them in unfamiliar contexts – smiling on a train, mingling at a garden party, wandering down a Seoul alley. I realized how little I knew about their lives, which spanned Japanese colonialism, the Korean War and the country’s economic boon.

Growing up, I thought my grandparents were overly conservative and limited in their worldview, traits I chalked up to their Korean background. In the years since, I’ve come to see the immaturity of those judgments, a realization this trip helped underscore.

Candice Choi is a 2018 Knight-Wallace Fellow and Food Industry Writer for the Associated Press (New York, N.Y.).

Figure it out – Apply for a Knight-Wallace Fellowship at the University of Michigan

Now is the fight time to apply for a Fellowship
Mosi Secret 16′ explains how a Knight-Wallace Fellowship
changed his life both personally and professionally.

Mosi Secret, Knight-Wallace Fellows Class of 2016, shares on Medium how his Fellowship year changed the trajectory of his professional life and how it impacted his personal life.

He explains why he left his job as a reporter for The New York Times, a position that for many represents the pinnacle of American journalism. 

He discusses how it felt walking away from his comfortable life in New York in pursuit of what he describes as an ill-defined dream. Secret maintains that his time at the University of Michigan was the beginning of a march toward a deeper and more sustainable sense of happiness and professional satisfaction.

“If you’re thinking of changing your life and career,” said Secret, “there’s no time like the present. Apply.” Learn more what about what attracted him to the program.

The Knight-Wallace Fellowships for Journalists at the University of Michigan are accepting applications from U.S. applicants for the 2018-19 academic year. We’re looking for accomplished, mid-career journalists eager for growth and deeply committed to the future of journalism. The deadline to apply is February 1, 2018.

Read Mosi Secret’s reflection on his fellowship year on Medium.

 

Mosi Secret was a member of the Knight-Wallace Fellows Class of 2016. He is an independent journalist based in Brooklyn, NY.  Find out more about what Mosi Secret has been doing post-Fellowship.

Molly Ball Appointed to the Livingston Awards Judging Panel

 

Molly Ball
Molly Ball, National Political Correspondent
for Time

Wallace House is pleased to announce the addition of award-winning political reporter and Knight-Wallace alum, Molly Ball, to the Livingston Awards’ judging panel.

A prominent voice on U.S. politics, Ball serves as National Political Correspondent for TIME, covering the Trump administration, the national political climate, personalities, policy debates, and campaigns across America. She is also a political analyst for CNN and frequent television and radio commentator.

“Molly Ball brings a keen, intuitive eye and astute sensibility to everything she approaches,” says Lynette Clemetson, Wallace House director. “We are pleased to have her join us as a Livingston Awards regional judge. It is especially meaningful that Molly was a Knight-Wallace Fellow with a deep connection to our mission. We look forward to all she will add to our collegial and dedicated group of judges.”

Prior to joining TIME, Ball was a staff writer covering U.S. politics for The Atlantic. She previously reported for Politico, the Las Vegas Review-Journal and the Las Vegas Sun. She has worked for newspapers in Ohio, Pennsylvania and Cambodia, as well as The New York Times and The Washington Post.

Ball is the recipient of the Toner Prize for Excellence in Political Reporting, the Sandy Hume Memorial Award for Excellence in Political Journalism and the Lee Walczak Award for Political Analysis for her coverage of political campaigns.

“Molly Ball brings a keen, intuitive eye and astute sensibility to everything she approaches,” says Lynette Clemetson, Wallace House director.

A graduate of Yale University, she was a 2009-2010 Knight-Wallace Journalism Fellow at the University of Michigan. Ball grew up in Idaho and Colorado. She lives in Virginia with her husband and three children.

The regional judges read all qualifying entries and select the finalists in local, national and international reporting categories. In addition to Ball, the regional judging panel includes: Stella Chávez, education reporter, KERA public radio (Dallas); Chris Davis, Vice President of Investigative Journalism, Gannett; David Greene, host, “Morning Edition,” NPR; Stephen Henderson, host, “Detroit Today,” WDET; Shirley Leung, columnist, The Boston Globe; and Raney Aronson-Rath, executive producer, “Frontline,” PBS.

The Livingston Awards national judges review all final entries and meet to select the winners in local, national and international reporting. The national judging panel includes: Christiane Amanpour, chief international correspondent, CNN, and host of “Amanpour on PBS,” PBS; Ken Auletta, media and communications writer, The New Yorker; Dean Baquet, executive editor, The New York Times; John Harris, editor-in-chief and co-founder, POLITICO; Clarence Page, syndicated columnist; Anna Quindlen, author; María Elena Salinas, host, “The Real Story with María Elena Salinas,” Investigation Discovery; Bret Stephens, op-ed columnist, The New York Times; and Kara Swisher co-founder and executive editor of Recode.

The Livingston Awards is now accepting entries for 2017 work. Entry deadline in February 1, 2018.

The Fellowship Life: Podcast Boot Camp

Mosi Secret, Alex Blumberg and Jonathan Menjivar
Mosi Secret, 2016 Knight-Wallace Fellow, Alex Blumberg, CEO and co-founder of Gimlet Media and Jonathan Menjivar
producer with “This American Life,” coach the Knight-Wallace Fellows at the Podcast Boot Camp.

 

During a typical Tuesday evening fellowship seminar at Wallace House, a reporter, author or professor joins our class of mid-career journalists for a stimulating off-the-record chat in front of the Wallace House fireplace. Our guest speakers are dynamic, all experts in their fields. Throughout these ninety-minute salons, Fellows get to sit back, soak up new ideas and ask probing questions. Our seminars are deeply engaging sessions, in a deeply comfortable environment.

Lynette Clemetson with Regina Boone, Candice Choi and Danielle Dreilinger
Wallace House Director, Lynette Clemetson assigns
Fellows into working teams.

A month before Thanksgiving break – just around the time our fellowship class settled into this cozy routine – we were thrust outside of our comfort zone.

Wallace House director, Lynette Clemetson, broke us up into teams, and gave us three weeks to develop a podcast pitch and gather and edit some sample audio. To up the ante, she told us we’d be pitching our concepts to producers from Gimlet Media and “This American Life” who would be joining us just before the holiday break for a two-day audio bootcamp.

Umm, yes please!

I’ve been a radio producer for nearly 15 years and I love “This American Life”-style narrative storytelling. So I was pumped at the chance to learn from two rock star producers. And I wasn’t the only one. You probably don’t need me to tell you that podcasts and audio storytelling are having a moment. Several Fellows had expressed interest in learning what it takes to create a successful podcast and how to make a story sing on air. We were about to get a very hands-on crash course.

Lynette handed out the piece of paper with our teams listed on it and surveyed the room, gauging reactions — a few smiles here, some nervous laughter there, more than a couple of blank stares. Most of the class had little to no experience in audio. Two of us came from radio, but we had never worked on podcasts, which differ in style and approach from broadcast news. We were all feeling a bit out of our element.

That’s one of the best things about this fellowship and what makes the time as a Knight-Wallace Fellow so special; it’s a chance to push yourself creatively in a supportive environment.

Jennifer Guerra and Lisa Wangsness
On assignment: Jennifer Guerra, Marcelo Moreira
and Lisa Wangsness report from a glassblowing studio.

I did a lot of solo work before coming to the fellowship, working on long-form audio pieces for months at a time with only the occasional check-in from an editor. So I welcomed the chance to work on a group project. My assigned podcast team consisted of a photojournalist, a print reporter, an international television editor, and me. Sounds like a joke set up, right? A photojournalist, a print reporter and a TV editor walk into a bar with a radio producer…

But seriously, it was a great project. Never in my career have I had the chance to collaborate on a new idea with such a varied group of smart, accomplished journalists. The medium might have been new, but we all knew how to dive into unknown territory on tight deadlines. It didn’t take long to settle on an idea. We decided to develop something kid-focused. We are all parents, and we knew from our own listening that podcasts for kids are an underdeveloped segment of the market. Within a few days we were in the field grabbing tape.

Our first stop? The city of Ypsilanti. With recording kits in hand and our own kids in tow, we visited a glassblowing studio where the kids felt the heat from the super-hot furnace and tried blowing some glass themselves through a long metal blowpipe.

The work was fun. But the thought of presenting it to our visiting experts was more than a little nerve wracking. Alex Blumberg is CEO and co-founder of Gimlet Media, a company that produces tons of podcasts you’ve probably listened to, including one of my favorites, “StartUp,” which Blumberg hosts. He also co-founded NPR’s “Planet Money” podcast and is a former “This American Life” producer. Jonathan Menjivar is a long-time producer with “This American Life” and has produced some of the show’s most memorable pieces.

Day two of boot camp: Fellowship team of
Chitrangada Choudhury, Azi Paybarah, Matt
Higgins and John Shields (not pictured)
pitch their podcast concept to the guest judges.

To help demystify the podcast process, Alex and Jonathan were joined by Mosi Secret, a 2016 Knight-Wallace Fellow. A print reporter who came to the Fellowship from The New York Times, Mosi had just turned a recent story about a 1960s experiment to integrate an elite private school in Virginia into an hour-long “This American Life” episode. He was there to make the process less intimidating and to push us to contemplate taking new chances post-Fellowship.

The first day of the bootcamp was like a typical seminar. Each speaker talked about their own careers and their editorial and stylistic approach. Jonathan was the producer who helped Mosi create his piece, and the two deconstructed their process for us, explaining how it differed from The New York Times Magazine print version of Mosi’s story.

Day two was more like a journalism version of “The Voice.” Alex, Mosi and Jonathan were the celebrity judges waiting to be impressed by our storytelling chops. We were the yet undiscovered podcast stars, hoping to blow their minds with our raw talent and bankable ideas. And we were asked to workshop our ideas in front of the entire fellowship class. I’ve never done a group edit before, and the idea of playing tape in front of a whole room of people was, frankly, kind of terrifying. But Alex and Jonathan are big proponents of the group edit — more voices in the room, more perspectives to draw from — and I’m happy to report that I am now, too.

Alex and Jonathan talked through each group’s pitch and showed us what it would take to get the concepts up and running as successful podcasts. Fellows chimed in with their own ideas on where to take the story, what voices to include and who would be the ideal host.

Everyone in the group encouraged each other and made the ideas stronger. The supportive input from other teams was invaluable. By the end of the bootcamp, I was convinced that the most important element of this Fellowship is fellowship.

And who knows, it could be one of us producing the hot podcast of 2018. 

Jennifer Guerra is a 2018 Knight-Wallace Fellow and a senior reporter at Michigan Radio, an NPR affiliate in Ann Arbor.

Taking Wallace House to the Public

 

Lydia Polgreen, Brooke Jarvis, Joshua Johnson and Bret Stephens
Wallace House campus events include public engagements with Lydia Polgreen, Brooke Jarvis, Joshua Johnson and Bret Stephens

 

Anyone who has spent time in Wallace House knows that, as an organization that supports the work of journalists, we are also defenders of free speech. It is a fundamental belief evidenced in the irreverent caricatures of politicians that ring our living room and the wide array of provocative books and periodicals that fill our library. It is a proclamation painted in the washroom just off the foyer, in black block letters, a central tenet impossible to ignore – even in the smallest room in the house: “I disapprove of what you say, but I will defend to the death your right to say it.”

That sentence, penned by the English writer Evelyn Beatrice Hall in a 1906 biography of the French Enlightenment philosopher Voltaire, is commonly referenced in defense of free speech. For journalists, it serves as a dramatic restatement of basic rights laid out in the First Amendment, that “Congress shall make no law…abridging the freedom of speech, or of the press…”

At a time when that foundational right is being challenged and reexamined, it is all the more important to articulate its significance. Wallace House is working to do just that, through public events aimed at highlighting the vital role of journalism to document, interpret, analyze and investigate the forces shaping society.  

By moving journalism away from devices and distractions and into public spaces, we aim to close the gap between an increasingly indifferent public and the reporters taking stock of our times. In this era of echo chambers, we feel called to actively foster civil discourse across profound gulfs of mistrust and cynicism.

For journalists, a free press is inextricably bound to the broader principle of freedom of speech, a principal that is most critical to defend when it is inconvenient and difficult to stomach. Our winter 2018 events will tackle that complexity head on, with prominent speakers from NPR, The New York Times and HuffPost.

We’ll encourage audiences to wrestle with how the American ideal accommodates and protects both Colin Kaepernick and Richard Spencer. We’ll examine the continuum from the Rev. Martin Luther King Jr.’s long arc of the universe to hashtag revolutions and crowd-sourced justice. And we’ll elevate important stories subsumed by fast-paced news cycles, from the unseen tragedies of border crossings to the global implications of China’s expanding soft power.

Such tough discussions are regular fodder for the journalists who come through the Knight-Wallace Fellowships for Journalists and the Livingston Awards, the truth-seekers and tellers who think, work and interact within our Wallace House walls. It’s pressing now that we move those conversations out into the open, to forums that prompt wider-reaching debate. Free speech and a free press, after all, are rights too precious to take for granted.

We hope you will mark these events on your calendar, share them with friends and join us.  

1/16/18 | “Who Gets to Define American Values?” with Lydia Polgreen of HuffPost

1/31/18 | “Beyond the Wall: The Human Toll of Border Crossings” with Brooke Jarvis, Livingston Award winner

2/15/18 | “Speak Freely: Debating the First Amendment in a Changing America” a special event with NPR’s daily news program “1A” and host Joshua Johnson

2/20/18 | “Free Speech and the Necessity of Discomfort” with Bret Stephens of The New York Times

3/20/18 | “China’s Soft Power” The Eisendrath Symposium on International News

Information on times, venues and speaker details can be found on our event pages.

Lynette Clemetson is Director of Wallace House, home of the Knight-Wallace Fellowships for Journalists and the Livingston Awards at the University of Michigan. She is a 2010 Knight-Wallace Fellow.

Support the Essential Work of Journalism

 

When you received your Wallace House Journal last month a small blue box on the lower half of page five may have caught your eye. It read DONATE. I hope it prompted you toward action. Journalists often approach charitable giving cautiously, lest an act of generosity at some point be construed as bias. It’s a wise caution. But one cause journalists can support without hesitation, of course, is journalism. And supporting Wallace House is a concrete way to bolster the careers and wellbeing of journalists.

At a time when our profession is being openly and regularly maligned, Wallace House is expanding its reach and standing up for the vital work of journalists.

  • We’re convening more public events in an effort to increase media literacy and engage people in conversations with journalists on important issues.
  • We’re increasing outreach for the Knight-Wallace Fellowships to ensure that we’re attracting the diverse multi-skilled range of talent needed to propel today’s newsrooms.
  • We’re broadening our partnerships to provide our Fellows with access to the most relevant resources, experts and experiences related to their individual study and to the industry.
  • We’re extending the platform of the Livingston Awards, creating opportunities for our local, national and international winners to share their stories beyond the original audiences and extend the impact of their work.

Your donation will help Wallace House create and sustain this work. With your help we can bring award-winning journalists to campus to talk about the biggest news stories of the moment; feature our Livingston Award winners at conferences to train young reporters in ambitious reporting projects; create workshops to help our Fellows develop new storytelling skills, present the Livingston Lectures to areas of the country where journalism is viewed skeptically; develop new international partnerships to expand our overseas news tours.

While our Fellowship program has a generous endowment, expanding our programs requires additional resources. At the same time, we are working to build an endowment for the Livingston Awards to secure the continuation of the prestigious prizes for years to come.  Your donation toward our operational costs – no matter the amount – demonstrates to foundations and individual donors of major gifts that the people who benefit from the work of Wallace House believe in the enduring value of its programs.

Lisa Gartner at Livingston Lecture

If you’ve been a Knight-Wallace Fellow or a Livingston Award winner, you know how life changing our programs can be. If you are not among our alumni, but you’ve encountered Wallace House through our programs and the journalists selected for them, you know the high caliber of the people and work we support and the intellectual and creative value they add at the University of Michigan and around the country.

Support the essential work of journalists by including Wallace House in your end-of-year giving. You can direct your gift to the Knight-Wallace Fellowships for Journalists, the Livingston Awards for Young Journalists or the Wallace House Annual Fund, which provides flexible support to both programs.

A gift to Wallace House is a show of support for truth, accountability and the vital role of a free and independent press in a democratic society.

Please, help us help journalists. Donate.

Lynette Clemetson is Director of Wallace House. She was a 2010 Knight-Wallace Fellow. You can reach her at [email protected] or [email protected]. Follow her on Twitter @lclemetson

Reflections from Washington D.C.
A Clear Mission, a Touch of Envy

Letters from grateful readers addressed to
The Washington Post executive editor, Marty Baron,
hang on his office walls.

On a warm October afternoon, as Marty Baron, the venerated editor of The Washington Post, spoke with our fellowship class, I felt admiration, and envy.

Baron outlined how his legacy newsroom was embracing technological changes and had garnered over a million digital-only subscribers earlier this year. The paper’s willingness to adapt, he stressed, was underpinned by its foundational mission of striving for the truth.

Over the past year, The Post has published an impressive stream of stories investigating President Donald Trump’s election campaign, his family members, his business interests and his administration. Earlier that afternoon, as we toured the Post’s newsroom, the outer glass walls of Baron’s office, plastered with grateful letters from readers, captivated me. One note read, “Dear Mr Baron, [… ] Without the hard work of your reporters, our situation today would be so much more dire.” Another said, “Keep asking the important questions. And print the answers.”

Later, as Baron spoke to us, I wondered if in India, an editor like him could survive the political and economic powers that stifle journalism’s core function – “ask the important questions, print the answers.”

Like President Trump, India’s Prime Minister Narendra Modi loathes the press. Unlike Trump, Modi chooses complete disengagement. He has not held a single press conference in 40 months of holding office. A senior minister in his cabinet coined the term “presstitutes” for journalists asking inconvenient questions. Most legacy newsrooms in India are fearful and self-censor. Last month, the exit of the editor-in-chief of The Hindustan Times, my former newspaper and a leading national daily, was preceded by a meeting between Modi and the paper’s proprietor. The editor lasted in the job for little over a year. Among the paper’s projects, which reportedly upset the government, was “Hate Tracker” – a digital database documenting India’s rising hate[A1]  crimes, including the lynching of religious minorities.

Newsrooms – mostly small, alternative media, and nascent, digital outlets – that are putting up a fight are especially under threat. On October 5, while we were in D.C., Gauri Lankesh, a Bangalore-based editor of a small newspaper, was posthumously given the Anna Politkovskaya Award, established in memory of the slain Russian journalist to honor a female human rights defender. A month ago, assailants had fatally shot Lankesh outside her home as she returned from work.

The day our trip ended, The Wire, a fledgling, resource-strapped website in India, reported how the turnover of a firm headed by Jay Amit Shah, the son of the President of the ruling Bharatiya Janata Party (BJP), had increased 16,000 times over since the BJP took power in 2014. The BJP and Shah did not challenge a single fact in the story. Instead, they have filed a criminal defamation suit of 100 crore Rupees (over $15 million) against The Wire’s editors and the reporter.  

I did not need dispatches from home to remind me of the powerful forces against which Indian journalists persevere. On our trip’s penultimate day, I wandered through the floors of the Newseum, lingering at the Journalists Memorial – a tribute to over 2,000 journalists, killed in the line of duty. Its centerpiece was a towering panel with hundreds of photographs of slain reporters. The collage of faces from around the world was heartbreaking, yet deeply inspiring.

In the memorial’s section titled “Stories of the Fallen – 2016”, the profiles included Karun Misra. The exhibit recorded that Misra, the 32-year-old bureau chief of a Hindi daily in north India, “had received death threats, and refused bribes, designed to deter him from reporting on illegal mining” before being gunned down last February.

I recalled a quote displayed prominently at The Washington Post newsroom: “There is only one good reason to enter journalism. When we do our job, we can make a difference.” The fellowship trip was a powerful reminder of why we must persist.

Chitrangada Choudhury is a 2018 Knight-Wallace Fellow and an independent multimedia journalist based in the eastern Indian state of Orissa.

Apply Now for a Knight-Wallace Fellowship

2018 call for applcations

Lynette Clemetson, director of Wallace House, goes to Medium with a challenge for accomplished, mid-career journalists to step away from their everyday media bubble and join her at Wallace House for an academic year of personalized study and collaborative learning. Are you interested in sharpening your skills, launching a new project or addressing a challenge facing your newsroom? The Knight-Wallace Fellowships for Journalists at the University of Michigan are accepting applications for the 2018-19 academic year. We’re looking for accomplished, mid-career journalists eager for growth and deeply committed to the future of journalism. The deadline for U.S. applicants is February 1.

Qualified applicants must have at least five years of experience and be currently working in some aspect of journalism for a news organization or as an independent journalist. That includes experienced reporters, editors, data experts, visual journalists, audio producers and engagement specialists, designers and developers, entrepreneurs and organizational change agents.

Read more about Clemetson’s challenge on Medium.

Lynette Clemetson is Director of Wallace House, home of the Knight-Wallace Fellowships for Journalists and the Livingston Awards. She is a 2010 Knight-Wallace Fellow.

Reflections from Washington D.C.
No Simple Answers

 

Marty Baron, pictured with Director Lynette Clemetson, was
generous with his time and gave a seminar for the Fellows during
their visit to The Washington Post.

Walking down the street on my way to the Online News Association’s annual conference at the Marriott Wardman Park hotel in Washington, D.C., a recognizable man with short gray hair and neon shorts ran past me. He looked like John Podesta.

If it was Podesta, it made sense that he would be running away from wherever reporters were gathering. As manager of Hillary Clinton’s 2016 presidential campaign, Podesta led the post-election hand wringing about Russians stealing his emails, media fascination with the email saga and the need for a more intelligent way to report on politics. Broadly, I agreed with him. That’s why, after 14 years covering politics in New York City, with a popular newsletter under my belt and enough appearances on cable news shows to justify carrying a blazer and tie in my backpack, I decided to apply for a Knight-Wallace Fellowship.

I was so steeped in daily political coverage that when I heard my class of Fellows was coming to D.C., it seemed incomprehensible that we would do anything other than talk about the 2016 presidential election the entire time. I was surprised when the conversations unfolded differently.

Our group met with Marty Baron, executive editor of The Washington Post, and top editors at NPR and The Atlantic. All were adapting a digital-dominant approach to news and figuring out how to deliver more content to their core constituencies and paying customers. I wondered about the unseen costs of this faster, customer-focused approach.

I hoped to get answers at the conference. When ONA started in 1999, it was like a support group. Digital reporters were interlopers in the newsroom, afterthoughts sitting at the kids’ table, far away from the adults. Today, across the street from the conference hotel, an old Washington Post newspaper box sat empty, spray-painted black and locked. The conference, by contrast, was crammed with over 3,000 digitally-focused attendees. Surely this would be the place to offer direction on the issues nagging at me. How should we use the internet to better cover politics? How are smart reporters using Facebook and Twitter? Can I make a podcast about politics as popular as a cat video?

There was plenty on offer about the latest digital trends. Left hanging, though, remained the thorniest questions raised by the 2016 presidential election. For instance, can reporters clustered on the East Coast reliably cover Red State America? This topic was front and center in ONA’s first session, led by CNN’s Brian Stelter: “Trust, Truth and Questions for the Media.” Panelist Nikole Hannah-Jones, a staff writer for The New York Times Magazine, said the public is losing trust in the media because newsrooms aren’t diverse enough. Cenk Uygur, co-founder and host of The Young Turks, said it was less about race and more about poverty, an issue “corporate media” and well-paid reporters are not good at covering.

Both of those seemed correct, and yet, incomplete. I found myself nodding along when public radio reporter Asma Khalid said the primary problem was a dearth of reporters in the majority of American communities. She noted a disturbing trend during the presidential race. Reporters – often from the East or West Coasts – tracked down voters – often in the middle of the country – grabbed their quotes, then left. Practically nobody stuck around, let alone made return trips. Khalid did. “I never thought I’d see you again,” one voter told her. The anecdote reminded me of the “left-behind” places ProPublica reporter Alec MacGillis spoke about weeks earlier at the annual Graham Hovey Lecture back in Ann Arbor.

On the final day of the conference, I entered the main ballroom minutes before the start of a session called “When Satire is the Most Effective Political Coverage.” I sat down next to a man conspicuously older than most at the convention. It was Jeff Jarvis, director of the Tow-Knight Center for Entrepreneurial Journalism and a professor at the CUNY Graduate School of Journalism. We talked about the fact that the American Society of News Editors was slated to hold their annual meeting in the same hotel a week later. The ASNE conference, Jarvis speculated, would be much smaller. He was drawing a direct correlation between conference size and industry potency.

Jarvis looked out at the amorphous ONA crowd in the ballroom – many still ambling to their seats with tote bags full of CNN water bottles and Facebook notebooks – and said, “They don’t realize they won.”

I left Washington and ONA with more questions than answers. That’s similar to how I started my career at the Queens Tribune, often returning from press conferences with pages full of quotes and a head full of questions. Now in Ann Arbor, that confusion feels comforting. The questions wouldn’t be worth studying if the answers were easy.

 

Azi Paybarah is a 2018 Knight-Wallace Fellow and a senior reporter at Politico New York covering City Hall, politics, crime and the New York Police Department.