The Eisendrath Years

“What is your dream?” That’s how longtime director Charles Eisendrath started interviews. When I arrived in Ann Arbor for my interview in 2002 with 30 or so other finalists, the question conjured up delightful and spirited responses from many applicants and stumped others. Previous fellows had told me to expect that question from Charles. But I wondered, what does dreaming have to do with anything in my work?

The Cambridge English Dictionary sums it up in one definition as hope: “an event or condition that you hope for very much, although it is not likely to happen.”

At the time I started my fellowship, I could not yet see where my time at Michigan might lead me. I just knew I wanted a bigger spot for my journalism.

Charles Eisendrath became Director of the Fellowship Program in 1986.

I was working in a medium-sized television market at WRALTV in Raleigh, North Carolina, a great station all around. But I was feeling frustrated. Many of us start our careers as generalists. We find what we’re good at and our employers hone in. Over time we get boxed in, and that thing that made us stand out starts to hem us in. We forget the wide-open optimism of our early careers and tunnel vision takes over.

I was the Education Fellow in 2002-03. But I also had music on my mind. In addition to my reporting career, I have always maintained a side gig as a professional classical musician. I have sung with the Virginia Symphony Chorus and the professional chamber group Virginia Pro Musica. I also spent time with the Raleigh Oratorio Society and the ROS Master Singers. During my time in the fellowship, I learned that my journalism and music were spiritually connected. When producing effective news stories, my music tended to be good, and vice-versa. When I came to the fellowship, I had been neglecting my music training and performance. And I had developed a puzzling case of stage fright and performance anxiety. So, beyond my formal study project, I wanted to spend time at the School of Music.

When I presented myself, the dean had never heard of the fellowship. She told me I could not take voice lessons. I produced my music résumé and she changed her tune. I was in! However, my assigned voice teacher made one requirement of me. I had to perform at the end of the Winter semester. Publicly. Stage fright and all.

And I did. At Wallace House.

I visited Charles in Ann Arbor on a trip home where he told me, “Dream bigger!”


I chose to perform at Wallace House because other Fellows were my friends and not likely to pick apart the performance as music students and faculty are prone to do. I did invite my voice teacher from Michigan and my former Belleville High School choral music teacher to a program of classical art songs and a few pieces from the Great American Songbook.

I was terrified, but I got through it. Kind of like contemplating my next steps in reporting.

I wanted independence and in 2003, I was getting it. I had decided not to return to WRAL, and it hit me in February of my fellowship that I had no job waiting, even though I’d studied the intricacies of No Child Left Behind, news convergence, and educational gaming. What had I done? What was I going to do?

Charles Eisendrath chuckled when he told my fellowship group, “Yvonne has succeeded in being the fellow to panic the earliest during the fellowship year!” But part of the Eisendrath charm was to encourage us to move forward. Light would illuminate our paths when we were ready.

I did freelance work for a short period of time after the fellowship, followed by a Monday-through-Friday anchor job. At one time, I had thought that was my calling. It turned out to be a bit of a bore. So much for dreams! I visited Charles in Ann Arbor on a trip home where he told me, “Dream bigger!”

So, in 2005, I made a leap to journalism management. I am helping train the next generation of journalists in television and digital pathways, and there is much to do! One job led to the next, all across the country. I landed in Sacramento at the CBS networkowned station, where I thought I might stay. But darn if I didn’t start wanting something with a bit more challenge. I jumped to Portland, Oregon, where I lead a large staff and helped us turn a 3 station into a #1 station in the market. I am also on the ABC Affiliate Advisory Board, helping the network better serve its partner stations. It’s been 17 years of bigger dreams— and counting.

The fellowship doesn’t ask that dream question anymore, not explicitly anyway. But, the concept survives: Hope for something more, and trust in the journey that leads you toward it.

Charles Eisendrath introduced the first issue of The Journal of Michigan Fellows in the summer of 1990. The subsequent issues evolved into what is now the Wallace House Journal.

Yvonne Simons is a 2003 Knight-Wallace Fellow.


This article appeared in the Fall 2023 issue of the Wallace House Journal.

The Graham Hovey Years

Life as a journalist was a lot less complicated in 1981 when I arrived in Ann Arbor as a member of the Michigan Fellows Class of 1981-82, during Graham Hovey’s tenure as director. It was at a time when the internet barely existed. Computers were rudimentary at best, and cell phones wouldn’t be widely available for another couple years. No 24-hour news cycles. No social media to watch over or feed. No online anything.

For most of us, the sprint to capture the important events and issues of the day ended at deadline when keyboards fell silent and the massive presses a few floors below roared to life moments later, rumbling beneath our feet.

Diane Brozek and Charles Fancher
Diane Brozek and Charles Fancher met during their 1981-82 fellowship year and have been together for more than four decades.

We came from news operations that, for the most part, were rich, powerful and fiercely independent—before online advertising and public access to news and information decimated the traditional newspaper business model and before corporate conglomerates and hedge funds began gobbling up newspapers and local broadcast media.

Funded by the National Endowment for the Humanities and operating from a two-room suite in the Frieze Building, which no longer exists, Graham led six classes of Fellows between 1980 and 1986, through one of the most meaningful years of

We came from news operations that, for the most part, were rich, powerful and fiercely independent—before online advertising and public access to news and information decimated the traditional newspaper business model and before corporate conglomerates and hedge funds began gobbling up newspapers and local broadcast media.

Funded by the National Endowment for the Humanities and operating from a two-room suite in the Frieze Building, which no longer exists, Graham led six classes of Fellows between 1980 and 1986, through one of the most meaningful years of our careers.

Graham didn’t let us forget that we were journalists, making sure our weekly journalism seminars included some of the major figures of our time.


Graham was a Renaissance man. A Fulbright scholar, a talented amateur French horn player, a lover of opera, and an award-winning journalist who made the transition from World War II correspondent to covering post-war Europe. He reported on diplomacy and international affairs and served on the editorial board of The New York Times. Graham was an exemplar of what the NEH sought to achieve by immersing the Fellows in the community of a great university, free of the pressures of daily journalism for a year.

And our editors agreed. They supported the NEH’s notion that exposing mid-career journalists to all that a world-class university could offer would enhance their professional capacity.

So we eagerly pursued our own courses of study, venturing out to classes in medicine, law, foreign affairs, business and the arts, with the NEH reminding us to include a ration of humanities courses.

The “East Coast Fellows” from the Graham Hovey years at a reunion in 1998 at the weekend home of Diane and Charles Fancher in Pennsylvania. Graham and his wife, Mary Jean, are pictured center on the landing.

Graham reinforced this suggestion by bringing to our humanities seminars some of the school’s most distinguished professors who were giants in their fields. One that I fondly remember is the late Diane Kirkpatrick, a world-renowned art expert. She became one of the friends of the fellowship who seemed both amused by and respectful of our group while inviting us to see the world’s great art and its impact through her eyes.

Spending time with her and with other U-M faculty luminaries underscored the value of what our fellowship offered. And, opening ourselves to this discovery allowed us to reshape our own paths. That enrichment continued through our trips to Japan, Germany and Australia, where Graham arranged opportunities to meet and exchange ideas with leaders of those countries.

But Graham didn’t let us forget that we were journalists, making sure our weekly journalism seminars included some of the major figures of our time. One of them was the flamboyant Gannett Chairman, Al Neuharth, who picked our brains about his idea to start a national newspaper. “Do you think it’ll fly?” he asked. Regardless of our opinions—and we offered many—he launched USA Today two months after we left Ann Arbor.

Another larger-than-life editor who visited was Gene Roberts of The Philadelphia Inquirer, where the tradition of playing newsroom-wide pranks was legend. He totally enjoyed the belly dancer who dropped in to regale Graham for his birthday, but it was one of the few times we ever saw Graham speechless. I was hired by Gene after my fellowship year, though the topic of the dancer never came up.

My year at the Michigan program also had a deeply important impact on my life. I met my husband, Charles Fancher, during our fellowship year to the delight of Graham, his charming wife Mary Jean, and Margaret DeMuth, his extraordinary program assistant. In addition, several of the Fellows from our year have become close lifelong friends.

Diane and Charles are now friendly with 2023 Fellows Alexandra Talty and Antoni Slodkowski, who also fell in love during their fellowship and are now engaged!

A special treat over the years has been meeting new Fellows, sometimes at the annual Graham Hovey Lecture, given by a former Fellow in Graham’s honor. But meeting the 2022-23 class during a recent visit was especially gratifying, not only because it was so representative of what the program has become— so international and committed to the safety and welfare of journalists from troubled corners of the world—but also because this class featured something we hadn’t seen for the four-plus decades since our time in the program—a serious romance. Alexandra Talty and Antoni Slodkowski, 2022-23 Fellows, whom we’ve had the great pleasure of getting to know, have announced their engagement, and we wish them at least the 44 happy years Charles and I have enjoyed together.

Diane Brozek is a 1982 Knight-Wallace Fellow.


This article appeared in the Fall 2023 issue of the Wallace House Journal.

Two Esteemed Journalists Appointed to the Livingston Awards Regional Judging Panel

Meghna Chakrabarti, host and editor of “On Point,” and Adam Ganucheau, editor-in-chief of Mississippi Today Join the Livingston Awards Judging Panel

Wallace House Center for Journalists welcomes the addition of Meghna Chakrabarti, host and editor of WBUR’s “On Point,” and Adam Ganucheau, editor-in-chief of Mississippi Today, to the Livingston Awards regional judging panel. They will join our esteemed regional and national judges in identifying the best reporting and storytelling by journalists under the age of 35.

Chakrabarti is the award-winning host and editor of “On Point,” a weekday radio show produced by WBUR in Boston and distributed by American Public Media. “On Point” has been frequently recognized for excellence in journalism under Chakrabarti’s leadership, reporting on the economy, health care, politics and the environment. She previously served as the host of “Radio Boston,” WBUR’s acclaimed weekday local show, and “Modern Love: The Podcast,” a collaboration of WBUR and The New York Times. Chakrabarti holds a master’s degree from Harvard University and an MBA with honors from Boston University.

Ganucheau is the editor-in-chief of Mississippi Today, Mississippi’s largest newsroom. He was the lead editor of the 2023 Livingston Award and Pulitzer Prize-winning investigation “The Backchannel,” exposing high-profile players’ roles in the state’s welfare scandal. He previously worked as a staff reporter for Mississippi Today, AL.com, The Birmingham News, and the Clarion Ledger. His work has appeared in The New York Times, The Washington Post and the Atlanta Journal-Constitution. Ganucheau earned his bachelor’s degree in journalism from the University of Mississippi.

The regional judges read all qualifying entries and select the finalists in local, national and international reporting categories. In addition to Chakrabarti and Ganucheau the regional judging panel includes Molly Ball of The Wall Street Journal; Stella M. Chávez of KERA Public Radio (Dallas); David Greene of Fearless Media; Stephen Henderson of BridgeDetroit, WDET public radio and Detroit Public Television; and Amna Nawaz of “PBS NewsHour.”

The national judges read all final entries and meet to select the Livingston winners in the local, national and international reporting categories and the Richard M. Clurman recipient, an award honoring a senior journalist for on-the-job mentoring. The national judging panel includes Raney Aronson-Rath of PBS; Sewell Chan of The Texas Tribune; Audie Cornish of CNN;  Matt Murray of News Corp; Lydia Polgreen of The New York Times; María Elena Salinas of ABC News; Bret Stephens of The New York Times; and Kara Swisher of New York Magazine.

Now Accepting Entries

The Livingston Awards are now accepting entries for work published in 2023. The entry deadline is February 1, 2024.


About the Livingston Awards


Livingston Awards honor journalists under the age of 35 for outstanding achievement in local, national and international reporting across all forms of journalism. The awards bolster the work of young reporters, create the next generation of journalism leaders and mentors, and advance civic engagement around powerful storytelling. The Livingston Awards are a program of Wallace House Center for Journalists at the University of Michigan, home to the Knight-Wallace Fellowships for Journalists and the Wallace House Presents event series.