Disseminating life-saving information in the midst of a natural disaster

María Arce presents best practices so reporters can get the word out in the face of disaster.

Launching my career in a disrupted media landscape, I became skilled in multimedia news.  As a senior digital editor, I helped journalists learn how to embrace technological advances, to tell stories in new ways to audiences who expect news delivered to their ever-changing hand-held devices.

But another disruption shaped my career and life, one wrought by climate change and increasingly extreme weather. When Hurricane María devastated Puerto Rico in 2017, eventually causing more than 2,900 deaths and nearly $100 billion in damages, it left many newsrooms, mine included, in shambles. What good is all the technology in the world when the power grid and internet are knocked offline for up to six months?
What do you do when whole regions of your audience are entirely cut off from communications and desperately need information to save their lives?

We were forced to adapt and get information to those in need. We improvised and launched successful text-based versions of our websites, making the news easier for
audiences with limited internet to download.

Later, I realized that few newsrooms have comprehensive editorial and operational plans for natural disasters—especially small and medium-sized newsrooms already working with scarce resources because of the financial challenges facing journalism. So, I applied to the Knight-Wallace Fellowship to address this problem and to create guidelines for newsrooms affected by the devastating natural disasters they must cover.

Could journalists use ham radios to get our stories to the public when we lose our beloved internet?

After diving into the 24,000 courses offered at the University of Michigan, I began auditing a course called “Extreme Weather in a Changing Climate.” Professor Perry Samson helped me understand the recipe for hurricanes and how to better forecast which areas will be affected by storm surges in order to plan where to deploy reporting teams. He introduced me to the five wind tunnels at the university. I became particularly fascinated with one used to simulate tropical storms. I also discovered dozens of online resources to help me and the journalists I would marshal better cover the next natural disaster.

I learned about nuclear winter and geomagnetic storms, a “sneeze” from the sun that can destroy all communications across the planet for months. Each class was simultaneously mind-blowing and amazingly straightforward. I cringed each time Prof. Samson pointed out simple mistakes committed by newsrooms, such as journalists using the wrong hurricane symbol.

I was eager to share what I was learning with others. Working with Wallace House, I convened “Covering Natural Disasters: A Newsroom Preparedness Symposium.” We invited a group of select reporters and editors from Michigan, Texas, California, and Florida to come to Ann Arbor and join my class of Knight-Wallace Fellows for a day of collaborative learning with extreme weather experts. The symposium ended with us breaking into small groups and workshopping best practices for bringing together operational and editorial processes. I am now turning these ideas into a set of guidelines for newsrooms.

Among my biggest fascinations from the year was a paper I found about the historical role of radio amateurs in helping devastated communities during natural disasters. I learned that Herbert V. Akerberg, a student in Michigan, gave birth to emergency radio after a disastrous flood in Ohio in 1913.

That story of a young radio amateur whose mother brought him meals so he could continue broadcasting during the night stuck in my mind. Could journalists use ham radios to get our stories to the public when we lose our beloved internet?

The answer is yes, we can. Although several amateur radio programs exist, I could not find any that actively partnered with newsrooms. In March, I became certified as a spotter for the Skywarn program to report to the National Weather Service and city emergency offices about extreme weather conditions.

Satellites, as it turns out, can’t see everything. If a family has difficulty getting out of a house in the middle of a flood, there is no way for a satellite to know. Nor can a satellite identify when a tornado knocks down a line of 10 or 20 trees. But people in communities connected by radio can get the word out.

I knew immediately that the fellowship had opened a new door for me: to become an amateur radio journalist. I won’t be the first. I met a fellow amateur radio journalist living in Michigan. After I finish writing my emergency guidelines, my next step as an experienced digital leader will be to ensure that multiplatform news outlets understand the analog skills they still need to survive.


María Arce is Editorial Coach for Latin America at Global Press, where she leads learning and professional development for a team of reporters in the region. She also accepted a Reynold’s Journalism Institute Fellowship where she will continue her Knight-Wallace Fellowship work and develop and launch a training and resource guide on how journalists can work
with ham radio operators.

This article appeared in the Spring 2023 issue of the Wallace House Journal

 

Announcing the 2023 Livingston Award Winners

LIV 2023 Winners
2023 Livingston Award winners (clockwise from top-left) Anna Wolfe of Mississippi Today, Caitlin Dickerson of The Atlantic and Vasilisa Stepanenko of The Associated Press.

Today the Livingston Awards honor stories that represent the best in local, national and international reporting by journalists under the age of 35. The winning stories uncovered text messages indicating Mississippi’s misuse of federal welfare funding, the inner working of the U.S. government’s child separation policy, and the atrocities committed by Putin’s army against civilians in Ukraine. The $10,000 prizes are for work released in 2022.

The Livingston Awards also honored Ken Auletta, author and writer for The New Yorker, with a special tribute for his enduring commitment to the Livingston Awards and the careers of young journalists. Auletta joined the Livingston board of national judges in 1983, the third year of the program, and served in that role through 2022.

Livingston Awards national judges Sewell Chan of The Texas Tribune, María Elena Salinas of ABC News and Matt Murray of News Corp introduced the winners at a ceremony hosted by former Livingston Awards national judge Anna Quindlen, author.

“The best reporters keep looking, questioning and documenting when they are told there is nothing more to see,” said Lynette Clemetson, Livingston Awards director.  “This year’s winners laid bare abuses of power and the networks of complicity and complacency that allowed those abuses to unfold. Their work influenced the public record and how history will regard the players and their deeds. It is an honor to recognize them for their tenacity, rigor and storytelling excellence.”

Today’s ceremony included special remarks from Matthew Luxmoore, a Livingston Award finalist and reporter from The Wall Street Journal who covers Russia, Ukraine and the former Soviet Union. He spoke at the podium in support of his friend and colleague, Evan Gershkovich, who has been wrongfully imprisoned in Russia since March 29 of this year.

Celebrating its 42nd year, the awards bolster the work of young reporters, create the next generation of journalism leaders and mentors, and advance civic engagement around powerful storytelling. Major sponsors include the University of Michigan, Knight Foundation, the Indian Trail Charitable Foundation, the Mollie Parnis Livingston Foundation, Christiane Amanpour, the Judy and Fred Wilpon Family Foundation, Dr. Gil Omenn and Martha Darling and the W.K. Kellogg Foundation.

The 2023 winners for work released in 2022 are listed below.

Local Reporting

Anna Wolfe, 28, of Mississippi Today for “The Backchannel: Mississippi’s Welfare Scandal,” a multiyear investigation into Mississippi’s  2% approval rate of applicants for federal welfare funding uncovering text messages between then-Governor Bill Bryant, state officials and Bryant’s friends, including NFL football legend Brett Favre and unraveling the largest public fraud in Mississippi’s history.

“Anna Wolfe’s dogged investigation into Mississippi’s misuse of funds intended to help needy families demonstrates the power of journalism to expose corruption. She was the first to reveal text messaging indicating that welfare funds had been diverted to a pharmaceutical company in which a retired NFL star was an early investor. Her tenacious digging, over multiple years, has had a staggering impact on a state with high levels of poverty and inequality.”
Sewell Chan, Livingston Awards national judge

National Reporting

Caitlin Dickerson, 33, of The Atlantic for “We Need to Take Away Children,” a masterful examination of the U.S. government’s child separation policy revealing how officials at every level heedlessly and often deceptively advanced policy that defied the country’s most basic stated values.

“In her exhaustive reconstruction of the Trump administration’s implementation of its family separation policy, Caitlin Dickerson brought to life jaw-dropping and eye-opening details of how the policy was accepted and implemented at different levels of government. Through exclusive interviews at multiple levels, she meticulously laid out how a handful of people set off a chain reaction of chaos and pain that continues to this day. Her reporting has established a new public record of a devastating episode in our nation’s history.”
María Elena Salinas, Livingston Awards national judge

International Reporting

Vasilisa Stepanenko, 22, of The Associated Press for “A Year of War,” a series of harrowing videos exposing the atrocities against civilians committed by Putin’s army in Ukraine and laying bare the devasting human toll of war.

“In a year that saw a great deal of amazing and powerful work from journalists covering the Ukraine war, Vasilisa’s stories had a unique immediacy and visceral power that vividly bore witness to the impact of the war in her country. Her work had an undeniable impact on the world’s understanding of the struggle. And the great personal courage she displayed amid tremendous peril underscores the stakes of the battle to tell the truth on the ground.”
Matt Murray, Livingston Awards national judge

Special Tribute

Ken Auletta, author, media and communications writer for The New Yorker and Livingston Awards judge from 1983 to 2022.

This year the Livingston Awards honored Ken Auletta with a special tribute for his enduring commitment to the program and the careers of young journalists. Anna Quindlen, author and Livingston Awards judge from 2009 to 2022, presented Auletta with the award and introduced a video with tributes from his fellow Livingston Award judges and past Livingston award winners. Kara Swisher said in the video tribute, “There’s an expression. Anything that can shine does. Ken shines a light on the things that shine, which is really important when it comes to young reporters.” Auletta’s most meaningful legacy is in the lives and careers of journalists he helped transform.

Watch the video tribute to Ken Auletta.

In addition to Buzbee, Chan and Murray, the Livingston national judges panel includes Raney Aronson-Rath of PBS; Audie Cornish of CNN; Lydia Polgreen of The New York Times; Bret Stephens of The New York Times; and Kara Swisher of New York Magazine.

More on the winners here.

Announcing the 2023-2024 Knight-Wallace Journalism Fellows

The Wallace House Center for Journalists and the University of Michigan are pleased to announce the 2023-2024 class of Knight-Wallace Journalism Fellows. This cohort of 19 accomplished journalists marks the 50th class of Fellows in the program’s history.

Representing nine countries and a broad cross-section of the U.S., the Fellows will pursue ambitious journalism projects, audit courses at the university and participate in weekly seminars with journalism leaders, renowned scholars, media innovators and social change agents. Most seminars will take place at Wallace House, a gift from the late newsman Mike Wallace and his wife, Mary, and the program’s home base.

“These journalists and their compelling range of projects reflect the breadth of challenges journalists must understand – from the far-reaching societal impacts of climate change, to the rise of social media-fueled disinformation, to the unique challenges of reporting from countries ensnared in media crackdowns, wars or rampant violence,” said Lynette Clemetson, Director of Wallace House. “Now more than ever, the work of these and all journalists is essential to protecting and expanding democratic values. We are honored to support them.”

After a three-year pause on international news tours caused by the COVID-19 pandemic, Wallace House plans to travel with this year’s cohort to South Korea in February 2024 to learn more about the country’s changing media environment and engage with its political and social landscape.

The fellowship started in 1973 with a grant from the National Endowment for the Humanities. This class will be joined by alumni from several decades in September 2023 for a weekend reunion honoring the history of the fellowship and the hundreds of journalists from around the world with ties to the program.

Wallace House’s Knight-Wallace Fellowship program is funded through endowment gifts from foundations, news organizations, individuals, and ongoing contributions from funders committed to journalism’s role in fostering an informed and engaged public.

The 2023-2024 Knight-Wallace Fellows and their journalism projects:

Elizabeth Aguilera is an independent multimedia journalist focused on migration, environmental health and equity. She is an editor-at-large for Zócalo Public Square and a mentor and editor for Next Gen Radio. She will explore the impact of climate change on devastated areas of the U.S. that have already suffered from environmental racism, the disproportionate placement of hazardous materials near marginalized communities.

Roberson Alphonse is head of national news at le Nouvelliste, Haiti’s largest daily newspaper, and the director of information at Radio Magik9, where he hosts a popular daily program. He survived an assassination attempt in October of 2022 and was able to flee to Miami, where he has continued hosting his radio show. His project will focus on helping Haitian journalists navigate an increasingly volatile press environment.

Rustin Dodd is a senior reporter at The Athletic where he has written about subjects such as the impact of opioid abuse on professional baseball and the analytics revolution in Major League Baseball and the National Football League. He is the co-author of “Kingdom Quarterback: Patrick Mahomes, the Kansas City Chiefs, and How a Once Swingin’ Cow Town Chased the Ultimate Comeback.” He will examine the rise of legalized sports gambling in the U.S., its societal costs and its implications for sports media. 

Sharif Hassan is a former Washington Post and New York Times reporter from Afghanistan who is now working in exile in Canada following the Taliban takeover of his country. His research will take a deep dive into environmental and sustainability challenges in North America, enabling him to report on these challenges with expertise and cross-regional context.

Peter Hoffman is an independent documentary photographer who has reported on environmental and climate issues for The New York Times, The Wall Street Journal, NPR, Bloomberg Businessweek and others. He will combine photography and narrative storytelling to explore the challenges of stewarding southeast Michigan watersheds– the primary, and often compromised, source of drinking water for numerous communities.

Yunhee Kim is the politics editor for Munhwa Ilbo, a daily newspaper in Seoul, where she has covered three presidential elections and numerous general and local elections, as well as multiple corruption scandals. She will explore how to strengthen Korean presidential election coverage in a hyper-polarized political climate.

Mila Koumpilova is a senior education reporter in Chalkbeat’s Chicago bureau, where she has reported on topics including the pandemic’s impact on vulnerable students and federal COVID-19 relief spending. She will explore how U.S. cities can strengthen programs that aim to re-engage unemployed young people who are not enrolled in high school or college — a goal that policymakers and experts see as key to fighting poverty, racial inequities and gun violence.

Efrat Lachter is an investigative correspondent for Israel’s Channel 12 News and the weekly newsmagazine “Friday Studio.” As the first female war correspondent in her newsroom, much of Efrat’s work has illuminated the lives of women in conflict zones such as Ukraine, Syria and Sudan. She will study ways to preserve journalistic integrity in unstable political contexts.

Victor Kai Shing Law is a senior reporter for AM730, a Hong Kong local newspaper. He was previously a reporter for the Apple Daily newspaper and Stand News, both of which were forced to close amid a government crackdown on independent media. His research will illuminate the vision and mission of Hong Kong’s new experimental media, the challenges they face, and strategies that could broaden their reach.

Jaime Lowe is a frequent contributor to The New York Times Magazine and other publications, as well as the author of three books, including “Breathing Fire: Female Inmate Firefighters on the Front Lines of California’s Wildfires.” Having previously embedded with the maternal-fetal medicine department at the Cleveland Clinic, Lowe will expand on this subject by reporting on evolving abortion law and the availability of reproductive healthcare in the Midwest.

Iuliia Mendel is an independent Ukrainian journalist, political commentator, and opinion writer for The Washington Post who served as Ukrainian President Volodymyr Zelenskyy’s press secretary from June 2019 to July 2021. She wrote a book about this experience, titled “The Fight of Our Lives.” Her research will seek solutions to protect and empower truth-seeking journalists in Ukraine and around the world in a climate of growing populism.

Kwan Ling Mok is a visual journalist and filmmaker who recently reported for Hong Kong’s Ming Pao Weekly and Stand News. Her film “Far from Home,” about a family’s tumultuous experience during the 2019 protest movement, was banned after she refused demands from authorities to make 14 cuts to the 25-minute film. Mok will study Hong Kong’s psychological recovery from China’s recent crackdown, historical patterns of collective trauma and how journalism, especially visual journalism, can foster individual and societal healing.

Josh Raab is the former director of Instagram and TikTok at National Geographic, where he managed teams that oversaw 40 accounts with 325M+ followers, including @NatGeo. He will explore how journalistic videos that have inherently challenging and difficult subject matter, such as climate change and conflict, can break through the algorithmic noise to reach younger audiences and combat misinformation on social platforms that often prioritize entertainment.

Tamanna Rahman is a United Kingdom-based investigative journalist and documentary filmmaker who has directed and reported for the BBC, Channel 4 and VICE. To lay the groundwork for a complex and multifaceted investigative documentary, Rahman plans to meticulously map food production and trade flows, examining the risks and long-term implications of a handful of unregulated companies and commodities traders controlling the main flows of food around the world.

Joshua Sharpe is a journalist with the San Francisco Chronicle whose reporting has helped free two innocent people from life in prison. He is writing a book for W.W. Norton and Company titled “The Man No One Believed.” While tracking multiple cases of potential wrongful conviction, he will take criminal justice courses, study post-conviction relief and examine the unseen ways that such cases damage lives.

‘Fisayo Soyombo is the former managing editor of Sahara Reporters and editor-in-chief of Nigeria’s Foundation for Investigative Journalism. He is best known for “breaking into prison.” Posing as a criminal, he spent five days in a police cell and eight days as an inmate at Ikoyi Prison in Nigeria. While writing an expanded version of his 2019 investigation of the Nigerian criminal justice system, Soyombo will simultaneously explore prison reform, restorative justice and strategies for preventing and responding to inhumane and corrupt practices within prisons.

Ben Steverman is a reporter for Bloomberg News based in New York, where he has covered the U.S.’s wide and persistent racial wealth gap, the pandemic’s effects on inequality, and the tax loopholes and philanthropic strategies deployed by the ultra-rich. His research will examine the broad social costs of the decline of American nightlife– which was struggling well before the pandemic– and what can be done to revive nightlife and help mend the country’s fraying social bonds.

Doris Truong is senior director of teaching and diversity strategies at the Poynter Institute of Media Studies. She previously worked at The Dallas Morning News and The Washington Post in roles ranging from copy editing to oversight of breaking-news operations. She will study ways to help journalists better understand their own gaps in life experience around issues including race, gender, socioeconomics, sexual orientation and stage of life, to thereby strengthen newsgathering and news judgment.

Read more about the 2023-2024 Knight-Wallace Fellows and their journalism projects »


About Wallace House Center for Journalists

Committed to fostering excellence in journalism, Wallace House at the University of Michigan is home to the Knight-Wallace Fellowships, the Livingston Awards and the Wallace House Presents event series, programs that recognize exceptional journalists for their work, leadership and potential.
wallacehouse.umich.edu

Announcing the 2023 Livingston Award Finalists

Wallace House Center for Journalists and the University of Michigan announced today the 2023 Livingston Awards finalists in local, national, and international reporting. The awards support young journalists and honor the best reporting and storytelling by journalists under the age of 35 across all forms of journalism. The finalist selections were chosen from more than 450 entries for work released in 2022.

This year’s winners will be announced on June 13, 2023, at an in-person awards ceremony hosted by Anna Quindlen with a special tribute to Ken Auletta for his enduring commitment to the Livingston Awards and the careers of young journalists. 

“This year’s finalists and the issues they pursued affirm the commitment of young reporters to tackle the toughest of stories,” said Lynette Clemetson, director of the awards and the Wallace House Center for Journalists.  “The breathtaking range of this exceptional work demonstrates the unique ability of journalism to make us stop, take notice, bear witness, and expect accountability.” 

Celebrating its 42nd year, the awards bolster the work of young reporters, create the next generation of journalism leaders and mentors, and advance civic engagement around powerful storytelling. The sponsors include the University of Michigan, the Knight Foundation, the Indian Trail Charitable Foundation, the Mollie Parnis Livingston Foundation, Christiane Amanpour, Dr. Gil Omenn and Martha Darling, the Judy and Fred Wilpon Foundation, Emerson Collective, W.K. Kellogg Foundation, The Associated Press and The New Yorker.

The Livingston Awards regional judges read all qualifying entries to select the finalists in local, national and international reporting. The regional judging panel includes Molly Ball, national political correspondent, TIME; Stella Chávez, immigration and demographics reporter, KERA Public Radio (Dallas); Chris Davis, deputy for the Local Investigative Reporting Fellowship, The New York Times; David Greene, Co-founder, Fearless Media and Host, “Left, Right & Center” KCRW (Los Angeles); Stephen Henderson, Executive Editor, BridgeDetroit and Host, WDET, public radio Detroit and Detroit Public Television; Shirley Leung, columnist and associate editor, The Boston Globe; and Amna Nawaz, co-anchor, PBS “NewsHour.”

The Livingston Awards national judges review all finalist entries and select the winners. The national judges are Raney Aronson-Rath, executive producer, “FRONTLINE”; Sally Buzbee, executive editor, The Washington Post; Sewell Chan, editor in chief, The Texas Tribune; Audie Cornish, anchor and correspondent, CNN; Matt Murray, consultant, News Corp; Lydia Polgreen, opinion columnist, The New York Times; María Elena Salinas, contributor, ABC News; Bret Stephens, opinion columnist, The New York Times; and Kara Swisher, executive producer, Code Conference.

We present the 2023 Livingston Awards finalists and invite you to review their work here.

Local Reporting

  • Mayowa Aina and Kari Plog, KNKX Public Radio and The Seattle Times
  • James Barragán and Davis Winkie, The Texas Tribune and Military Times
  • Sarah Blaskeand Nicholas Nehamas, Miami Herald
  • Marisa Gerber, Los Angeles Times
  • Niki Griswold, Austin American-Statesman
  • Samantha Hogan, The Maine Monitor
  • Maya Kaufman, Crain’s New York Business
  • David Leffler and Savanna Strott, Public Health Watch in partnership with The Pulitzer Center, the Investigative Reporting Workshop and Grist
  • Alex Mann, The Baltimore Sun
  • Max Nesterak, Minnesota Reformer
  • Krystal Nurse, Lansing State Journal
  • Phoebe Petrovic and Nina Earnest, Wisconsin Watch and Wisconsin Public Radio 
  • Albert Samaha, BuzzFeed News
  • Will Sennott, The New Bedford Light in partnership with ProPublica
  • Langston Taylor and Zachary T. Sampson, Tampa Bay Times
  • Trisha Thadani, San Francisco Chronicle 
  • Carter Walker, LNP | LancasterOnline
  • Julie Zauzmer Weil, Adrian Blanco Ramos and Leo Dominguez, The Washington Post
  • Anna Wolfe, Mississippi Today 

 National Reporting

  • Rachel Adams-Heard and Davis Land, Bloomberg News
  • Marshall Cohen, Zachary Cohen and Dan Merica, CNN
  • Jasper Craven, Mother Jones
  • Gaby Del Valle, The Verge
  • Caitlin Dickerson, The Atlantic
  • Robert Downen, The Houston Chronicle
  • Nicholas Florko, STAT
  • Alex Heath, The Verge
  • Astead W. Herndon, The New York Times
  • Cassandra Jaramillo, Reveal from The Center for Investigative Reporting
  • Caroline Kitchener, The Washington Post
  • Ava Kofman, The New Yorker and ProPublica
  • Samantha Michaels and Mark Helenowski, Mother Jones
  • Brett Murphy, ProPublica
  • Elissa Nadworny and Lauran Migaki, NPR
  • Andrea Patiño Contreras, Univision News Digital
  • Alexandra Rain, Deseret News
  • Lauren Rosenthal, Jamie Hobbs and Anna Canny, American Public Media
  • Meg Shutzer and Rachel Lauren Mueller, The New York Times and the Investigative Reporting Program at the University of California, Berkeley, Graduate School of Journalism
  • Anjali Singhvi, The New York Times

 International Reporting

  • Lynzy Billing, ProPublica
  • Regine Cabato and Shibani Mahtani, The Washington Post
  • Isabelle Khurshudyan and Kamila Hrabchuk, The Washington Post
  • Oscar Lopez, The New York Times
  • Matthew Luxmoore, The Wall Street Journal
  • Lyse Mauvais and Solin Muhammed Amin, Al-Monitor
  • Leila Miller, Los Angeles Times
  • Alexander Sammon, The New Republic
  • Mia Sato, The Verge
  • Emily Schultheis, Coda Story
  • Sarah Souli, The Atavist
  • Vasilisa Stepanenko, The Associated Press
  • Sam Tabachnik, The Denver Post
  • Elizabeth Trovall, Houston Chronicle
  • Vivian YeeAllison McCann and Josh Holder, The New York Times

More on the finalists’ work and links to watch, listen and read here.

Ashley Bates Joins Wallace House as Associate Director

 

Wallace House Center for Journalists is excited to welcome Ashley Bates as its Associate Director.

In this position, Bates will manage the daily operations of Wallace House and the Knight-Wallace Fellowship activities and support Wallace House director Lynette Clemetson in the strategic direction and running of all organizational programs and initiatives. Bates will also be responsible for alumni engagement, outreach activities across the journalism industry, and recruitment for the Knight-Wallace Fellowships, ensuring a diverse range of program participants.

“I am honored to join the Wallace House Center for Journalists team,” said Bates. “I look forward to getting to know this community, working in creative partnership with news organizations and alumni, and offering responsive programming and individualized support to Knight-Wallace Fellows.”

Bates comes to Wallace House with both organizational leadership and journalism experience. She has a demonstrated record of administering complex programs, nurturing alumni communities, leading professional development training, recruiting underrepresented voices, and executing imaginative programming that is tailored to the needs of organizations and their participants. For the past four years, she has served as the Program Manager for the University of Michigan’s Helen Zell Writers’ Program, a top-ranked MFA program for fiction authors and poets. Previously, Bates managed graduate student recruitment and career mentorship initiatives for the University of Michigan’s International Institute.

Bates worked as an investigative journalist in Gaza, the West Bank, Israel, and the United States, producing videos and long-form features for The Nation, Haaretz, Mother Jones, Huffington Post, Tikkun, Jerusalem Post Magazine, GlobalPost, and Columbia Journalism Review.

Fluent in Arabic, she served for eight years as the Program Director and then the Executive Director of an Israeli-Palestinian dialogue and social justice advocacy organization called Hands of Peace.

She earned a bachelor’s degree in political science from Amherst College and a master’s degree in journalism from Northwestern University’s Medill School. Bates will start at Wallace House on May 1.

Three Newsroom Leaders Appointed to the Livingston Awards National Judging Panel

Newly appointed Livingston Award judges from left to right: Audie Cornish of CNN, Sally Buzbee of The Washington Post and Sewell Chan of The Texas Tribune.

Audie Cornish, Sally Buzbee and Sewell Chan join the Livingston Awards

Wallace House Center for Journalists and the Livingston Awards panel of national judges welcome Audie Cornish of CNN, Sally Buzbee of The Washington Post and Sewell Chan of The Texas Tribune to the Livingston Awards national judging panel. They will join our regional and national judges in identifying the best reporting and storytelling by journalists under 35.

Cornish is an anchor and correspondent for CNN. She hosts the CNN Audio podcast “The Assignment” and appears on CNN covering national, political and breaking news. Before joining CNN, Cornish was the co-host of NPR’s afternoon news program, “All Things Considered.” She began her journalism career with The Associated Press in Boston in 2001.

Buzbee is the executive editor of The Washington Post. She is the first woman to lead the Post’s newsroom. Under her leadership, the organization has created four managing editor roles and added 41 editor positions. Starting with The Associated Press in 1988 as a reporter in Kansas, she served as the organization’s Middle East regional editor, based in Cairo, Washington bureau chief, and executive editor.

Chan is the editor-in-chief of The Texas Tribune. Previously he was the deputy managing editor and editorial page editor at the Los Angeles Times. Chan worked at The New York Times as a metro reporter, Washington correspondent, deputy op-ed editor, and international news editor. He began his career as a local reporter at The Washington Post in 2000.

In addition to Cornish, Buzbee and Chan, the national judging panel includes Raney Aronson-Rath, executive producer, “Frontline,” PBS; Matt Murray, editor in chief, The Wall Street Journal; Lydia Polgreen, opinion columnist, The New York Times; María Elena Salinas, contributor, ABC News; Bret Stephens, op-ed columnist, The New York Times; and Kara Swisher, executive producer, Code Conference and host of the podcast “Pivot.” The national judges read all final entries and meet to select the Livingston winners in the local, national and international reporting categories and the Richard M. Clurman recipient, an award honoring a senior journalist for on-the-job mentoring.

As we welcome these three new judges, four of our long-serving national judges will move to emeritus status and continue to serve the Livingston Awards in various capacities. These include our longest-serving Livingston Award judge, Ken Auletta, who joined the judging panel in 1982; Clarence Page, who has been with the Livingston Awards since 1993; and John Harris and Anna Quindlen, who became  Livingston Awards judges in 2009.

The Livingston Awards regional judges read all qualifying entries and select the finalists in local, national and international reporting categories. Their selections move to the national judges for the final round of judging. The regional judging panel includes Molly Ball, national political correspondent, TIME; Stella Chávez, immigration and demographics reporter, KERA Public Radio (Dallas); Chris Davis, deputy for the Local Investigative Reporting Fellowship, The New York Times; David Greene, host, “In the Moment with David Greene,” Religion of Sports and PRX; Stephen Henderson, executive editor, BridgeDetroit; Shirley Leung, associate editor, The Boston Globe; and Amna Nawaz, co-anchor, “PBS NewsHour.”

Now Accepting Entries

The Livingston Awards are now accepting entries for work published in 2022. The entry deadline is February 1, 2023. The deadline to submit a Clurman nomination is March 1, 2023.

This year’s Livingston Award winners will be announced on June 13, 2023, at a ceremony in New York City.

About the Livingston Awards

Livingston Awards honor journalists under the age of 35 for outstanding achievement in local, national and international reporting across all forms of journalism. The awards bolster the work of young reporters, create the next generation of journalism leaders and mentors, and advance civic engagement around powerful storytelling.

Remote Fellows Visit Ann Arbor

No Michigan experience would be complete without a visit to the Big House. Fellows got a behind-the-scenes peek at the stadium locker rooms, the legendary tunnel, luxury suites and the 50-yard line.

This article appeared in the Fall 2022 issue of the Wallace House Journal

If I had to write a self-help book about the week I spent in Ann Arbor this spring with the Knight-Wallace classes of 2021 and 2022, I’d call it “Chicken Soup for the Journalist’s Soul.”

The two fellowship classes from the pandemic years called ourselves “The Virtuals” because few of us had ever met in person, although we’d all spent an academic year attending seminars and making online connections with other Fellows from our cohorts.

These had been challenging times for many of us as we navigated through the havoc the pandemic caused in our professional and personal lives. And spikes in Covid cases had forced us to cancel at least two previously planned in-person fellowship gatherings. So by the time we arrived at Wallace House in April, most of us felt overdue for the face-to-face experience Wallace House Director Lynette Clemetson and Associate Director Robert Yoon had been telling us about for months.

Jose Fermoso ’22 shared a dance with street artist David Zinn’s Gene Kelly on the downtown library’s underground parking garage wall.

As much as I had anticipated the trip, I still wasn’t prepared for the warm and loving atmosphere that awaited us. Lynette, Rob, Alexis, Patty, Jayson, Melissa, Lisa and everyone associated with Knight- Wallace showed us the highest hospitality the entire week, and for the first time I felt like more than one of 11 participants in a great and robust fellowship.

I looked at the group photos on the wall of the classes that came before mine. I saw the gifts that each of these groups left behind.

And in those moments I realized that being part of the Knight- Wallace Fellowship wasn’t a year-long program. The other Fellows and I had joined a group of journalists who’d had the privilege of spending hours together at Wallace House laughing, crying, learning, growing and recharging so they could go back out into the world as better journalists and human beings.

Although we had several great activities during our week together, our most profound moments came in the sessions where we sat in the living room at Wallace House and shared our experiences. During the fellowship, many of us had relied upon one another for support and advice. But in person, the encouragement was infinitely more profound. It was, in short, the safest place I’ve ever had to share my experiences as a journalist.

I wasn’t alone. Nichole Dobo, one of the Fellows from my cohort, told me she similarly felt the warmth of being among “people who are bringing their whole selves to work.”

“Our backgrounds are our strengths, especially when we come from underrepresented communities,” Nickie said. “We only got one week in person, but it felt like so much longer. I left feeling empowered by the idea that things other people might see as a weakness are actually our superpowers.”

Nick St. Fleur organized a selfie with classmates from the Knight-Wallace Reporting Fellowship class of 2021-22 on the porch at Wallace House.

After our graduation ceremony, instead of sitting in small groups at the tables arranged in the backyard, we pushed all the tables together because none of us wanted to be apart from the others. That night, the jokes, war stories and heartfelt moments we shared belonged to all of us.

“I left feeling empowered by the idea that things other people might see as a weakness are actually our superpowers.”

Lester Feder from the class of 2021 remembered the dance party we had that evening after we pushed the chairs to the corners of the living room where we had shared so much in the days before.

“It was a moving reminder,” he said, “of the humanity of the people who give so much of themselves to this work, which demands that we give so much of ourselves.”


Daphne Duret is a 2022 Knight-Wallace Reporting Fellow and recently joined The Marshall Project as a staff writer covering policing issues across the country.

 

 

Fleeing Russia: Former Fellow Finds Solace in Ann Arbor

Novaya Gazeta headline "Russia. Bombs. Ukraine"
The front page of Novaya Gazeta, Russia’s independent newspaper, on Feb. 25, 2022, reads “Russia. Bombs. Ukraine.”

This article appeared in the Fall 2022 issue of the Wallace House Journal

Elena Milashina video thumbnail
Elena Milashina, 2010 Knight-Wallace Fellow and investigative journalist for Novaya Gazeta. On September 5, 2022, Russian authorities revoked the newspaper’s license.

It was early January 2022. Wallace House Director Lynette Clemetson wrote to me to ask if I could convince the freshly minted Nobel Peace Prize laureate Dmitry Muratov to come with me to Ann Arbor to give a lecture on press freedom.

“What an amazing idea,” I responded.

Muratov is my editor-in-chief, a mentor and friend under whom I have worked for a quarter century in one of the most respected newspapers in the world, Russia’s Novaya Gazeta.

When I dialed him to propose the Wallace House event, he didn’t answer at first. We were quarreling about my refusal to evacuate from Russia after the Chechen president, Ramzan Kadyrov, called me a “terrorist” and demanded that a criminal case be opened against me. Kadyrov’s assistant had publicly threatened to “cut off my head.”

Muratov eventually called me back. “Have you finally decided to listen to your editor and leave?” he asked.

“Only together with you, and only to Ann Arbor,” I joked.

I spent the next hour telling him about my incredible year as a Knight-Wallace Fellow more than a decade earlier, about the University of Michigan where Russian poet and fellow Nobel laureate Joseph Brodsky once taught. I told him about hearing President Barack Obama give the 2010 commencement address, warning that the world and professional journalism were in danger because of changing media habits – words people didn’t fully appreciate at the time. I told him about the beauty of Detroit, the catastrophic emptiness of some parts of the great American city and what it symbolized to me about civilization and history.

“I want to see it, too!” he said, greedy for such stories.

We began to make plans for a brief visit in April. But Vladymir Putin had plans of his own. On February 24, the Russian army invaded Ukraine. Three months earlier, Muratov had warned about the danger of such a war in his Nobel speech in Oslo, a war Putin had been moving toward for years. Suddenly it was happening.

Months before the war started, Putin was working to shut down the independent press.

Novaya Gazeta responded to the invasion with a bold and shocking headline: “Russia. Bombs. Ukraine.”

Months before the war started, Putin was working to shut down the independent press. After opposition politician Alexei Navalny’s return to Russia and imprisonment, authorities closed down dozens of independent media outlets, primarily those engaged in investigative journalism. The government labeled hundreds of journalists as foreign agents, enemies of the state.

Russian journalists lived in anticipation of searches, arrests and criminal cases. I removed all paper and electronic archives from my house, hid old notebooks, laptops and voice recorders at my friends’ places. I thought about how I would behave during a search to make sure that no sensitive information about my sources fell into the hands of Russian police and security agencies.

Yet even in an environment of active intimidation, I was not prepared for the war and its consequences.

The government quickly came after the few remaining news organizations. In the first days of March, the last independent TV news channel, Dozhd, and the oldest federal radio station, Ekho Moskvy, shut down.

I cannot accept that I cannot write about this atrocity under my own name in my newspaper.

Novaya Gazeta held on for 34 days, the last remaining independent news operation in the country. But on March 28 we, too, were forced to suspend operations. Putin’s draconian laws imposing jail sentences of up to 15 years for journalists who reported anything the government deemed “fake news” – anyone who reported the truth of what was happening in Ukraine – made it impossible for news organizations to continue working.

Soon there was another message from Lynette. With the April event clearly impossible, she had a different proposition. “Why don’t you come to Ann Arbor for a residency, Elena?” she said. “You don’t have to leave Russia forever. But here you will be safe, and you can figure out how to move forward.”

Now I am back at the University of Michigan, a place I consider my alma mater! I am a visiting Fellow, sponsored by Wallace House, at the Weiser Center for Emerging Democracies. I will be giving guest lectures and engaging with faculty and students. And most importantly, I will have a place to continue writing. When I arrived my suitcases were mostly full of papers, unfinished work, abruptly interrupted by war. I have much I still need to write.

More than six months into Putin’s attack on Ukraine, it seems the world is beginning to get used to war. I refuse to get used to it.

I cannot accept that my country is doing this.

I cannot accept that I cannot write about this atrocity under my own name in my newspaper.

I cannot accept that my newspaper no longer exists.

Now people all over the world know Novaya Gazeta and its journalists for our journalism and the repeated attacks against us. Now Russia has made it impossible for us to exist. But we will find a way to continue.

Novaya Gazeta literally means “new newspaper.” I remember when I went to work there 25 years ago after my first year at university. I traveled around the country introducing myself and my organization and people responded, “New newspaper? So what is it called?”

Now people all over the world know Novaya Gazeta and its journalists for our journalism and the repeated attacks against us. Now Russia has made it impossible for us to exist. But we will find a way to continue.

I arrived in Ann Arbor in July, late at night. As I entered town, it was too dark to see any of the places I so fondly remembered. I had two large suitcases full of my work. I checked into my hotel, got settled into my room and began to catch up on news from the front. It was expectedly grim. It felt unacceptable to me that I had been forced to flee my country to figure out a way to report the truth about it.

But for the first time in a very, very long time, I felt completely safe.


Elena Milashina is a 2010 Knight-Wallace Fellow. She is the inaugural WCED Freedoms Under Fire Residency Fellow in the International Institute’s Weiser Center for Emerging Democracies, a position sponsored by Wallace House.

Director’s Update

This article appeared in the Fall 2022 issue of the Wallace House Journal

Expanding the Vision of Wallace House

Take a look at the logo accompanying this story. Wallace House is now Wallace House Center for Journalists.

What’s the point of those three extra words? 

Sharper focus. Bolder ambition. Clarity of mission.

Part of it is simply about transparency and making it easier for people to quickly understand who we are and what we do. The other motivation is to reinforce the last of those three words – Journalists.

We are decidedly not the Wallace House Center for Journalism. Of course, we work in service of the future of journalism. But as significant amounts of money and talk have been directed toward saving journalism in the past decade, life has gotten harder for many journalists. The demands are greater. The work is more dangerous. The pay is worse and less stable.

We believe that supporting journalism requires supporting individual journalists.

As we approach the 50th anniversary of our fellowship program, we realize that we are being called to help journalists in more urgent ways.

Our mission is to help accomplished, working journalists survive and thrive, to help them learn new skills, explore new ideas, pursue ambitious projects, and tackle community and industry challenges. To be better journalists. And to keep at it – even when the business makes it ridiculously hard.

Within that mission is a resolve to provide a safe haven for journalists facing threats in both the U.S. and abroad. We’re not a humanitarian relief or social service organization. But in some cases, we are ideally poised to provide the structure, resources and networks needed to help a journalist escape peril. And when we can save one journalist, we save their journalism and their voice.

As we approach the 50th anniversary of our fellowship program, we realize that we are being called to help journalists in more urgent ways. A United Nations special report released this year on the decline in media freedom documented increasing threats to journalists the world over. Backsliding democracies, totalitarian regimes and coordinated disinformation have led to more journalists killed with impunity, more online harassment – especially of women journalists and journalists of color – and increased surveillance and targeted intimidation.

We were in the process of selecting our current Knight-Wallace Fellowship class when a non-profit organization in Washington D.C. contacted me to ask for ideas on how to help a young award-winning Kashmiri photojournalist, Masrat Zahra, who was facing bogus charges brought by the Indian government under an “anti-terrorism” law that could send her to prison for seven years.

Wallace House Center for Journalists is not only concerned with international press freedom. Journalists here in the U.S. need us more than ever.

At the time, we were working with The New York Times to bring our second Afghan journalist to Ann Arbor. And as you read in our cover story, we were also working to bring Russian journalist Elena Milashina for an extended residency. What an incredible opportunity it would be to have these brave, exiled journalists here at the same time, able to learn from and support one another while also bringing so much to the other journalists in our fellowship and the university community. The logistics in the cases were complicated. But we managed to prevail and get them here.

Introducing Masrat and Elena to each other outside the Wallace House kitchen was a brief interlude crackling with possibility. These two women are the sort who make autocrats shake with rage. One day we will be able to look back and understand that journalism and the world are safer because they met one August morning in Ann Arbor.

Wallace House Center for Journalists is not only concerned with international press freedom. Journalists here in the U.S. need us more than ever.

Across all forms of journalism, there’s a hunger among audiences for more in-depth storytelling. Yet for freelance writers, magazines often offer half or less than half of what they paid five years ago for the kind of long-form investigative and narrative journalism that takes months to produce.

A recent Livingston Award winner talked movingly from the stage as he accepted his award about needing to work as a bartender so he could afford to do journalism. The modest Livingston Award prize of $10,000 was more than he was paid for the story that won that year’s award for national reporting – a story that took him six months to produce.

Another Livingston winner, a freelancer with no financial, legal or safety support, paid her own way to Somalia and lived in a leaky storage container in Mogadishu to break the investigative story that won her the award.

They are both in staff jobs now, in part because of the recognition and connections the Livingston Awards brought their way. But that doesn’t make the precariousness of their reporting lives before the award okay.

I was at a journalism conference this summer having breakfast with two Knight-Wallace Fellows when their company announced that layoffs and buyouts were coming, “urgent choices” to keep the company strong. The company’s CEO made $7.74 million in 2021.

For many years the fellowship had a rule that journalists could not actively work during the fellowship. There were reasons for that. But we have to be in tune with the realities of the business. Much of the work we have supported in the past few years – magazine pieces, podcasts, documentary films, immersive multimedia series – would not exist without the financial support of the Knight-Wallace Fellowships.

This year we are back on campus, Fellows are taking classes, and we have resumed seminars at Wallace House. And we enjoy blending the old ways with the new.

If you do a Google search, you may find that Wallace House is a historic home in Somerville, New Jersey that served as the headquarters for General George Washington in late 1778 and the first half of 1779 when the Continental Army was stationed at Middlebrook.

That’s not us.

True, we have a beautiful, historic home. We are also at battle for democracy.

But we are not that Wallace House. We are Wallace House Center for Journalists.


Lynette Clemetson is the Director of Wallace House Center for Journalists, home of the Knight-Wallace Fellowships for Journalists and the Livingston Awards at the University of Michigan. She is a 2010 Knight-Wallace Fellow.

 

Get to Know Jayson Rose, Our Development Officer

Jayson Rose, our senior development officer, has introduced himself to our Knight-Wallace alumni and Wallace House community since joining us in January.

This interview appeared in the Fall 2022 issue of the Wallace House Journal

Jayson Rose joined Wallace House in January 2022 as our first development officer. His work is critical as we strengthen our programs and respond to new opportunities. He’s set about introducing himself to all of our former Fellows going back to the program’s founding in 1973. His exuberant outreach has been met with gratitude and great stories (we’d expect nothing less of our alums). Lynette Clemetson asked Rose to take a little break and answer a few questions.

Lynette Clemetson: You’ve had in-person visits, calls, and Zooms with dozens of former Fellows. What have you learned?

Jayson Rose: I’ve connected with over 50 alumni in recent months from the U.S., Brazil and South Korea. I’ve learned how much the fellowship changed their lives, personally and professionally. Many have told me about how their time in Ann Arbor was a pivot point in their career, a time to regroup and refocus. I’ve also been learning how meaningful the relationships established have been and how many of our alums remain in contact with each other.

Clemetson: You’ve worked in university development for years. What’s the most exciting opportunity in connecting the work of Wallace House to donors and the mission of the university?

Rose: There is a tremendous opportunity to work with our campus partners to bring more attention to our mission, the urgency of our work, and to expand our constituent base. We are uniquely positioned to help donors who care about democracy and freedom of the press make an impact. Many people don’t know there’s an entity on Michigan’s campus that aligns with those ideals. I also believe we can help donors who want to create a legacy make a lasting impact by working with them to establish endowed gifts or planned gifts via their will or trust. Our goal is to give Wallace House the ability to have an impact on journalists’ lives well into the future.

Clemetson: You grew up around journalists. Your father, Jim Rose, is a longtime anchor and sports journalist in Chicago. Did that influence your interest in Wallace House?

Rose: My father has been in broadcast journalism for 41 years at ABC in Chicago. I have vivid memories growing up of all the hard work he put into his craft and the long hours he spent covering such a passionate sports town. He was, and continues to be, so thoughtful in his work and that made me grow up with a deep appreciation for journalism. The industry is facing numerous challenges, and the work of Wallace House is incredibly important to journalists who fight to tell the stories that aren’t easy. I am honored to have the opportunity to play a role in the evolution of such an incredible organization.

Clemetson: What do you do for fun? And an essential Wallace House question, what do you like to cook?

Rose: I enjoy exercising, catching a sporting event, and going on adventures with my wife, Kim, and our three kids, Cora, Carter and Ella. I have been learning how to become Mr. Fix-it, taking on projects around the house. And I enjoy new music and finding a new album to relax to when I have downtime. My favorite thing to cook is anything grilled. I love to grill a nice cut of steak. I also make a good grilled salmon with sriracha and honey glaze. Delish!

Clemetson: What new music caught your attention this summer?

Rose: Recently I’ve been enjoying a Nigerian singer-songwriter named Tems. Her album, “For Broken Ears,” was on repeat most of the summer for me.

Clemetson: You and I have something in common – we were both DJs in our younger years. I’ve been thinking about playlists for our 50th fellowship reunion in 2023. Any recommendations for a few hundred restless reporters who haven’t seen one another in a while?

Rose: If we are talking about moving a few tables and getting people on the dance floor, I might suggest:

“September” by Earth, Wind & Fire

“Don’t Stop Believin” by Journey

“Uptown Funk” by Mark Ronson featuring Bruno Mars

“Despacito” by Luis Fonsi

“Yeah!” by Usher

My DJ skills aren’t what they used to be, but you can’t go wrong with these.


Lynette Clemetson is the Director of Wallace House Center for Journalists, home of the Knight-Wallace Fellowships for Journalists and the Livingston Awards at the University of Michigan. She is a 2010 Knight-Wallace Fellow.